Did you know?
The Nguni cattle range from Streetwires has been thoroughly researched and each piece is accurately crafted in terms of patterning and form.
Wire art was pioneered by children and parents in the townships and rural areas of the country, who made toys out of the only resources available to them – discarded wire.
Wire art evolved and spread to all corners of the country. Like boerewors and kwaito, the ingenious works of metal and telephone wire are now synonymous with our country.
Wire art is now a thriving business and a sophisticated art form, with many producers of wire sculptures supporting families by selling their creations on street corners, at craft markets, in shops and selected art galleries.
Collectives of wire artists, such as Streetwires in Cape Town, have also sprung up. They bring wire and bead artists together to create an innovative range of decorative and functional wire art objets: from elephants, Nguni cattle, wire sculptures of Nelson Mandela and wire radios to CD stands, key rings, picture frames, baskets and egg cups.
Some of the earliest examples of this art form can be traced the hills of Zululand, in the north-east corner of South Africa, where young herd boys started making toy cars out of discarded coat hanger wire, tin cans and whatever else they could get their hands on.
Especially famous and increasingly sought-after are model car sculptures. They are often complete with independent axles, fully functional steering columns and lots of intricate details; ample evidence that when it comes to innovation and creativity, South Africans are just wired differently.
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